News Inside Tim Smyth’s Quiet Obsession With What Gets Left BehindBy Georgia WestonJune 24, 20260 Driving malformed carrots from a North Yorkshire farm to a studio in London for a year requires a certain kind…
Art and Culture Why Obsession Is the Artist’s Most Dangerous ToolBy Georgia WestonMay 13, 20260 Anyone who has spent time with working artists is aware of the specific type of light that enters a studio…